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THE HERON’S CRY by Ann Cleeves: Book Review

Can one more glass of wine hurt, Detective Jen Rafferty asks herself?
  After all, it’s a party.  Everything is a bit hazy, something she will regret the next day, but in the meantime she helps herself to another glass of red.

A serious-looking man joins her and introduces himself as Nigel Yeo, a surname that means he’s local to South Devon.  He describes himself as in the health field but no longer a medic, and he tells Jen he’s in “the same line of business as you.  Sort of.”  She’s intrigued, but Nigel backs off, saying he will get her number from their hostess and asking if he can call her in the morning.

But when morning comes, it’s a different phone call that Jen gets.  Her boss, Matthew Venn, tells her to come to Westacombe, a group of buildings that have evolved into a small artists’ colony.  When she arrives he tells her there’s been a murder, and when Jen sees the body she recognizes Nigel Yeo.

He was found by his daughter, Eve, in her small studio in Westacombe, with a long shard of glass protruding from his neck.  Now, more than ever, Jen wishes her recall of the night before was sharper as she tries to remember the discussion she had with Nigel and whether there were any clues to his death.

Eve is a glassblower, and the glass is from one of her pieces.  The other artist who lives in the colony is Wesley Curnow, a painter and a musician.  Along with Sarah and John Grieve and their young twin daughters, Eve and Wesley make up the tenants, and Frank Ley, a celebrated investor and philanthropist, is the owner of the land and its buildings.

Everyone agrees that Nigel was a “lovely man” who hadn’t an enemy in the world.  He had worked as a physician but had given up his practice two years earlier to care for his wife, who suffered from dementia.  After her death he changed his focus and became the head of North Devon Patients Together, an advocacy group belonging to the National Health Service.  Certainly not a dangerous position, it would seem, and yet there doesn’t seem to be anything else in Nigel’s life that would lead to murder.

Matthew Venn, Jen’s boss, is not your typical detective.  Born into the Brethren, a strict Protestant sect, he has left that sect and is now married to his husband, Jonathan.  The two men are as different as possible, with Matthew painstaking and stolid, while Jonathan is artistic and sociable.  But their marriage is a good one, and they complement each other.  Venn is highly respected by his team, and his investigative style has solved many cases in the past.  But this one has him and his colleagues stymied.

The police interview Eve, Sarah and John, Wesley, and Frank, but all either have a strong alibi or no discernible reason for Nigel’s murder.  And then there’s a second killing.

Ann Cleeves is the author of many other mysteries, including the Vera Stanhope and the Jimmy Perez/Shetland Island series, as well as many stand-alones.  Both those series have been adapted for television, and the first of the Matthew Venn series, The Long Call, has been adapted as well.  Ms. Cleeves is a talented and prolific mystery author, and The Heron’s Call is an outstanding addition to her catalog of novels.

You can read more about the author at this website.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden OldiesPast Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

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