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GERMANIA by Harald Gilbers: Book Review

Germania.  That was what Adolph Hitler was planning as the new name for Berlin after Nazi Germany won World War II.  Apparently he thought it sounded more grandiose, more befitting his image of the capital of his country .  In an 1848 painting credited to Phillip Veit, Gemania is portrayed as an imposing figure holding a tri-colored flag in her left hand, a sword in her right, wearing a red, blue, and gold robe with the design of an eagle between her breasts.

But, of course, the German victory never happened, although in Harald Gilbers’ debut novel, it is May of 1944 and the war is still ongoing, so the outcome is unknown.  Richard Oppenheimer is awakened in the middle of the night by a member of the Security Protection Service to view a corpse.

As a Jew, Oppenheimer had been removed from his post as a homicide detective and forbidden to take part in any investigations.  So he doesn’t understand why he is being asked to examine a woman’s body which has been terribly mutilated.  He’s given no explanation, just returned to the room he and his wife Lisa share in the Jewish House after he views the corpse.

The next morning Oppenheimer is taken to SS headquarters where he again meets Detective Vogler, the man who was standing over the body the night before.  Vogler tells Oppenheimer that because of his past experience he has been chosen to take part in the murder investigation; in reality, he has no choice but to accept the assignment.

Germania brings the reader into Berlin at the beginning of the end of the war.  Bombs are falling, food and coffee are are almost unobtainable except by the Nazi elite, and the realization is dawning on the populace that the Allies may be winning after all.  But, of course, no one will voice these thoughts on penalty of imprisonment or worse.

The more Oppenheimer looks into the case, the more he becomes convinced that a serial killer is at work.  And not simply a serial killer but one who is copying the crimes of Karl Großmann, a convicted rapist and killer who committed suicide in jail.  But this killer appears to be more careful, more fastidious, and harder to catch.  And then, as Oppenheimer thought would happen, the killer strikes again.

Harald Gilbers has written a spellbinding thriller, not only because of the frightening crimes that the killer commits but also because of his recreation of Berlin in 1944.  Oppenheimer’s fears of the whole investigation being a trap and of being captured by the SS, his love for his Christian wife, the almost daily bombings by the Allies–all of this brings the horrors of war and persecution home to the reader.  Oppenheimer, his wife Lisa, his friend Hilde, Vogler, all come alive as they each play their part as their world is torn apart.

You can read more about Harold Gilbers at various sites on the web.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

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