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The fall semester of BOLLI (the Brandeis Osher Lifelong Learning Institute) is underway, and for the third time I am teaching a course on mystery novels.  The “umbrella” title of my courses is WHODUNIT?, and the two earlier ones I taught are MURDER IN NEW ENGLAND and MURDER IN ETHNIC COMMUNITIES.

This semester’s course is MURDER IN SCANDINAVIA, exploring a group of countries known for their bleak landscapes and dark crimes.  This course, as did my others, runs ten weeks, and the class reads and discusses eight books in that time.  The first week is an introduction both of the class members and of the genre itself, which in each course I’ve taught has been new to some and familiar to others; the final class lets us choose our favorite author/book and talk about the merits and shortcoming of what we’ve read.

Given the abundance of excellent mysteries from Scandinavia that have been translated into English during the past few decades, I had a hard time deciding on my choices.  To make things even more difficult, I expanded the term Scandinavia to include three countries that are not now part of Scandinavia but were in the past.  I thought that would make it more interesting in terms of discovering differences and similarities among these nations.  So in addition to Denmark, Norway, and Sweden (each with many outstanding mystery authors), I included books from Greenland, Iceland, and Finland.

I am going from west to east geographically–Greenland (Smilla’s Sense of Snow by Peter Høeg), Iceland (The Undesired by Yrsa Sigurdatdottír), Norway (The Redbreast by Jo Nesbø), Norway (Hell Fire by Karin Fossum), Denmark (The Hanging Girl by Jussi Adler-Olsen), Sweden (The Ice Beneath Her by Camilla Grebe), Sweden (Faceless Killers by Henning Mankell), and Finland (Snow Angels by James Thompson).

I am not exaggerating when I say that choosing among the dozens, if not hundreds, of outstanding mysteries from these countries kept me up at night.  For every one I chose I could think of half a dozen others, either by the same author or by another author from that country, that would fit just as well into the syllabus.  The only exception to that was Smilla’s Sense of Snow because it is the only mystery I know with a strong sense of Greenland.

As in previous classes, this semester has brought forth a great deal of thoughtful discussion, strong opinions, and respectful disagreements among its participants.  Everyone who is attending my class at BOLLI is there to enjoy the novels and share likes and dislikes.  As I write this post the course still has some weeks to go, and as winter days grow shorter and shorter, it will be a perfect time to curl up with a Scandinavian mystery or two or more.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.


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