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Is it possible to have a mystery novel in which the protagonist is not investigating a murder?

That’s a question that is frequently asked in the mystery courses I teach at BOLLI, the Brandeis Osher Lifelong Learning Institute.  And my answer always is yes.

It’s true that the majority of mysteries involve murders because that crime is one from which there is no return, at least for the victim.  Once dead, always dead to be blunt about it.  In the hands of a skillful, creative author, however, any crime may be the basis for an outstanding mystery.

In this time of COVID-19 and social distancing, I have been scanning the shelves in our family room and re-reading many of my favorite mysteries.  In particular, I have been re-reading Sue Grafton’s Kinsey Millhone alphabet series, and I just finished “L” IS FOR LAWLESS. 

A little background for those not familiar with Sue Grafton’s work:  the series started in 1982, when Kinsey is a private investigator in Santa Teresa, California.  Through the series, which ran until the author’s death in 2017, Kinsey barely ages, remaining in her thirties even in “Y” IS FOR YESTERDAY, the last mystery Ms. Grafton wrote.   As her daughter Jamie Clark wrote, “As far as we in the family are concerned, the alphabet now ends at Y.”

LAWLESS starts when Kinsey is asked by her landlord and close friend, Henry Pitts, to do a favor for a friend.  Johnny Lee, an elderly man who lived around the corner from Kinsey and Henry, had died several months earlier, and his son and grandson have been attempting to get the government to pay the funeral expenses, to which they believe Lee was entitled as a World War II veteran.

Lee’s survivors can find no papers with information about his time in the Air Force, and they have been told by various federal agencies they’ve contacted that there’s no record of his service.  Checking with Johnny’s son Chester, Kinsey is told of his belief that the government is hiding his father’s record.  When she asks why the government would refuse to admit that the deceased was ever a member of the armed forces, Chester tells her that it’s his belief that “he was a double agent…for the Japanese.”

Farfetched as this seems to Kinsey, she agrees to look into the situation, and thereby hangs a tale of break-ins, assaults, ex-cons, domestic abuse, and much more.  The book is humorous at times, always suspenseful, and filled with characters whose commonality is their inability to tell the truth.  Masterful writer that Sue Grafton was, the reader may not notice until the book’s end that there’s no murder for Kinsey to investigate.

Readers can go back as far as Sherlock Holmes to see that there are many books and stories in which murder does not play a part.  As an aside, I find that I am often bothered by the gratuitous number of murders in recent novels.  Some authors seem to feel that when in doubt, throw in another body.  It’s an easy way to hike up the tension, but it’s not a good story-telling technique.  Rather a cheap trick, in my opinion.

I still have thirteen Sue Grafton mysteries left to re-read, and I am certain that whether they feature murders or not, each one will be well worth a second go-round.  And in reading the novels for a second time, perhaps I can discover Kinsey’s secret formula for not getting older…it’s worth a try.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

 

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