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DEAD LAND by Sara Paretsky: Book Review

The prologue of Dead Land opens in the middle of the night with the loud buzz of the doorbell waking V. I. Warshawski and her very angry neighbors.  Vic hurries down the stairs and opens the front door to find a large dog tied to a nearby lamppost with a short note of explanation attached to his collar.  Coop, a man she hardly knows, has left his dog Bear with her for safekeeping, not saying where he’s gone or why.

The book flashes back to a community meeting three weeks earlier, when Vic is asked by her goddaughter Bernadette to watch the girls on the soccer team Bernadette’s coaching accept an award.  Before the girls can go onstage for the award, the meeting dissolves into chaos.  The issue at stake is the development of an area on the Chicago lake front, and passions are running high on all sides of the issue.

It’s V. I.’s birthday, and after the meeting she and Bernie head to the newly chic Forty Seventh Street to meet V. I.’s significant other for a drink to celebrate.  As the women walk under a viaduct they hear the tinny sound of a toy piano and a woman’s voice accompanying the music.  The only words they can make out are “savage” and “cruel,” but Bernie immediately recognizes the song as one written years ago by Lydia Zamir, a song that has become an anthem to those fighting injustice against women.

Trying to help the woman who is singing, obviously homeless, and in need of mental health services, Vic and Bernie are confronted by a couple.  Vic recognizes the man as Coop, the man who disrupted the community meeting, and a woman who say that they are protecting the musician from “busybodies.”  Reluctantly, Vic and Bernie leave, wanting to help but not knowing quite how.

Dead Land refers to the city’s area that caused the disruption of the community meeting.  A shadowy coalition of big business and Chicago officials have plans to make it into a millionaires’ resort with a golf course, a marina, and luxury homes, while a group of residents, with Coop in the forefront, are hoping for a beach and a playground and want details of any proposed plan before a vote is taken.

Vic’s investigation leads her to discover that the homeless singer is indeed Lydia Zamir.  Delving into Lydia’s background in an effort get her the help she needs, V. I. reads about a mass shooting four years earlier at a music festival that involved Lydia and killed her boyfriend, Hector Palurdo, an environmental activist with ties to his late father’s native Chile.

Then things begin to spiral out of control, with the disappearance of the homeless woman as well as Coop, and the strange proposal that Vic receives from the Global Entertainment conglomerate that offers her an enormous amount of money if she will allow them to follow her as she attempts to find Lydia.

It’s always a pleasure to see Vic again, scouring the streets of the Windy City searching for answers.  And this case takes her to the plains of Kansas as well, home of the man convicted of the murders of seventeen people at the music festival.  There’s no question that Arthur Morton was guilty, but as V. I. looks into the murders, she realizes that it involves more than just the shooter.  As Vic connects the dots between the land issue confronting the voters in her city and the mass murders in Kansas, she unearths corruption and evil in both places.

You can read more about Sara Paretsky at this website.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

 

 

 

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