Subscribe!
Get Blog Posts Via Email

View RSS Feed

Archives
Search

GOOD GIRL, BAD GIRL by Michael Robotham: Book Review

Good Girl, Bad Girl is one of the most gripping mysteries of the year.  From the deliberately ambiguous title to the perfect ending, it’s a fantastic book.

Cyrus Haven is a clinical psychologist who is called in to evaluate the ultra-mysterious Evie Cormac, a teenager whose real name, birth date, and life history are completely unknown to the authorities.  Evie Cormac is the name she was given six years before the novel opens when she was found emaciated, bruised, and hiding in a secret room adjacent to where a man’s rotting corpse had been discovered months earlier.  A hunch by a volunteer searcher discovered the child, and she was taken away by the authorities and eventually put in a secure facility for disturbed adolescents.

Evie is now petitioning the court, demanding the right to be classified as an adult and thus be freed from supervision, although she still has provided no proof of her real name, age, any information about the man whose body was found near her, or how she ended up in that apartment.  That’s where psychologist Cyrus Haven enters the story; he has been asked to evaluate Evie and decide if she’s ready to be on her own.

There are several reasons Cyrus has been asked by his friend Guthrie, a counselor where Evie lives, to interview her.  The main one is that Cyrus wrote his thesis on people who are truth wizards, and Guthrie thinks that Evie is one.  Cyrus wrote that truth wizards, people who are adept at telling when others are lying, make up perhaps two percent of the population.  He believes they are usually older people who are in professions that have given them a lot of experience deciphering truth from lies–judges, lawyers, and mental health workers, for example.  Evie obviously doesn’t fit this parameter.

However, there’s another characteristic that truth wizards often show–they are people who exhibit a lack of emotions; here Evie is a perfect example.  After a less-than-positive first interaction, Cyrus finds himself volunteering to foster her.  There’s something about her, he thinks, that’s worth saving from another year or two in her current facility.  So because Evie thinks that living with Cyrus and being mentored by him is the lesser of two evils, she agrees to stay with Cyrus until she comes of age or until he is willing to tell the court that she is capable of living on her own.

Simultaneously, Cyrus is drawn into another case involving another teenage girl, although seemingly a very different one.  Jodie Sheehan is apparently the polar opposite at Evie–she’s a nationally ranked ice skater and the daughter in a close and loving family.  But she was murdered on a path between her own home and her cousins’ home, and there’s strong evidence of a sexual assault having taken place.

Why was she on this wooded stretch of woods in the middle of the night when she was supposed to be spending the night with her cousin Tamsin, who is also her closest friend?  As the layers are peeled back from the “perfect girl” persona that Jodie presented to the world, she seems to have had as many secrets as Evie.   

Good Girl, Bad Girl is an outstanding psychological thriller.  The dialog and plot are riveting, and the characters, both major and minor, are totally believable.  The author skillfully takes us into the minds of Evie, Cyrus, and the people who surround them.

You can read more about Michael Robotham at various sites on the web.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

 

 

Leave a Reply