Marilyn's Mystery Reads

Archive for January, 2021

In this About Marilyn column I am celebrating two events.

The first is that this month begins my eleventh year writing Marilyn’s Mystery Reads.  In that time I’ve blogged about hundreds of books plus my favorite authors and my thoughts about all things mysterious.

In addition to the fun of having a personal space to air my thoughts, I’ve discovered numerous new authors and have revisited old favorites.  My only problem is that there are so many books being published that I can’t read them all.  I’m really trying, though.

Second is my upcoming course at BOLLI (Brandeis Osher Lifelong Learning Program).  I’ve been taking classes there for as long as I’ve been writing my blog, in a variety of subjects–literature, music, sociology, and art to name a few areas.

Then, nearly four years ago I was asked to teach a course on mystery novels because two BOLLI members had been reading this blog and thought I knew the subject well (“My blushes,” as Holmes said to Watson).  In March I’ll begin my eighth course, WHODUNIT?:  INTERNATIONAL MYSTERIES, PART I.

Given that there are enough mysteries set across the globe for me to teach PARTS II through X, I had a difficult time deciding which countries to showcase first.  I chose a mix of countries, a number of which many of the students in my class have probably visited as well as countries less familiar to us.  I also decided to showcase authors who are very well known as well as newcomers to the field.

So here is the list of books we’ll be reading beginning in March, with the countries given in alphabetical order:  THE DRY by Jane Harper (Australia), STILL LIFE by Louise Penny (Canada), AND THEN THERE WERE NONE by Agatha Christie (England), BEHIND GOD’S BACK by Harri Nykänen (Finland), SMOKE AND ASHES by Abir Mukherjee (India), NEWCOMER (Japan) by Keigo Higashino, ROSTNIKOV’S VACATION by Stuart M. Kaminsky (Russia), and FINDING NOUF by Zoe Ferrais (Saudi Arabia).

Please join us on our round-the-world journey, won’t you?

Marilyn

Back in Los Angeles after his tour in Afghanistan, Sam Easton is working at the Pearl Club bar, unable to utilize his engineering degree due to his emotional state.  He’s suffering from PTSD and is dependent on both his psychiatrist and his medications.  He doesn’t always listen to Dr. Frolich’s suggestions and is mixing the antipsychotic medication with way too much liquor.  But he’s doing his best.

Not helping Sam’s mental condition is the recent separation from his wife.  He’s not blaming Yuki, who had stood by him since he returned home, but she had finally reached the breaking point and suggested they put some distance between them.  He had to agree it was best for her, although he’s not sure it’s best for him.

Sam’s co-worker at the Club, Melody Traeger, is also having problems.  She’s been seeing Ryan, a music producer, whom she’s definitely attracted to in spite of his possessiveness and jealousy.  But the day he tells her he wants her to quit the Club because he doesn’t like the way men there hit on her, and she tells him she needs the job to pay her rent and college tuition fees, he punches her in the face and gives her a black eye.  Then she’s out of there, through with Ryan–but is he through with her? 

Melody has become aware of a black Jeep she thinks is following her.  She’s seen it several times, but she tries convincing herself there are hundreds of cars in L. A. that fit that description.  And then someone crawls through a bedroom window in her apartment while she’s away and leaves two dozen red roses in a vase on her dresser.  She texts Ryan about them, but he denies they’re from him.  Can she believe him?  Does she have a stalker?  Is the driver of the Jeep involved?

The following day, Ryan’s maid finds his body in his apartment, and Police Detective Margaret Nolan is put in charge of the case.  Nolan doesn’t suspect either Melody or Sam, but her partner Al Crawford isn’t so sure.  He sees Melody’s black eye as a triggering event for Sam due to his PTSD, and he thinks his colleague is overly forgiving of Sam’s emotional state because her brother died while serving overseas.

Then Sam and Melody become acquainted with a young man at the Club.  He’s Rolf Hesse, and he wants Sam and Melody to star in a film he’s writing.  At first they tell Rolf they’re not interested, but he’s so enthusiastic they finally agree to look at his script.  He’s calling it Deep into the Dark, and despite themselves they find themselves impressed.  It is dark, but so are the things in their own lives.

P. J. Tracy (Traci Lambrecht) is the daughter of the mother-daughter team who wrote the Monkeewrench series; she continued the series after her mother’s death in 2016.  In this, the first mystery featuring Margaret Nolan, she shows the skill in plotting and characterizations that were evident in her earlier books.  Deep into the Dark is an excellent introduction to what readers will hope is a long-running series.

You can read more about P. J. Tracy at this website.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

Sadly, I don’t own any antiques and have almost no knowledge of them.  But a quick Google search under the general topic brought up dozens, if not more, of antique stores and galleries near me, featuring everything from silver to furniture, paintings to vintage doors.  Who knew?

Josie Prescott is the owner of Prescott’s Antiques and Auctions.  After leaving New York City a number of years earlier to move to the small town of Rocky Point, New Hampshire, she now also has a television show featuring her discoveries that is starting its fifth season.

Josie and her husband have just purchased Gingerbread House from Maudie Wilson, a widow in her seventies.  Shortly after the purchase of their new home but before Josie and Ty move in, Maudie’s niece Celia comes to the gallery with a request.  She tells Josie that she and her sister Stacy, her aunt’s only relatives, had urged their aunt to move into an assisted living facility in town because they believe her memory is slipping.

As partial proof of this, Celia says that when her aunt arrived at her new apartment, she realized that an antique trunk belonging to her late husband’s family hadn’t arrived with the rest of her belongings.  Maudie can’t remember seeing it loaded onto the truck when the movers took everything out of the Gingerbread House or even the last time she saw it.

Celia and Josie search the Gingerbread House, but the trunk is not found.  The following day Stacy, Celia’s younger sister, approaches Josie with a similar concern, but a bit more forcefully, and she is equally distraught about the missing trunk and two objects it apparently contained, a box and a ceramic cat.

It seems to Josie that both women are more concerned about the missing items, which may have a substantial value, than the well-being of Maudie.   Both Celia and Stacy are in need of money, Celia because her husband has just lost his job and they are behind on their mortgage payments, and Stacy because she is creating a new line of high-quality furniture and needs funding.

Then Josie meets Maudie, and the two discuss having an appraisal of some of the valuable items she owns.  Maudie appears excited and grateful, but when Josie returns to the apartment to continue the conversation Maudie is not there.  She’s disappeared, and no one, not her nieces nor her friends, knows where she is.

Jane K. Cleland’s latest novel combines the happenings of Prescott’s Antiques and Auctions with a very clever plot including murder, assault, and theft.  The characters are realistic, and the excitement and love of antiques permeate the book and make for really enjoyable reading.

You can read more about Jane K. Cleland at this website.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

Sam Tabor, recently released from prison, has turned to his friend, private investigator Bill Smith, for help.  Sam was sentenced to fifteen years to life for killing Amy Evans, a young woman he met at a party.   There he unknowingly drank punch that had been laced with PCP, and after leaving the party with Amy, he killed her.  He was judged insane but able to participate in his own defense, which he did against the opinions of his brother, his attorney, and Smith.  Sam then proceeded to disregard their advice, pleaded guilty, and happily went to prison.

In prison he was permitted to paint and his art, which had always been Sam’s secret, was discovered by a therapist.  What followed was praise by New York art critics, and a Free Sam Tabor crusade was begun for his early release.  Now that he’s out, he’s overwhelmed by the media attention and is incredibly anxious about an exhibit of his paintings opening at the Whitney Museum in Manhattan.  So once again he wants Smith’s help, but for a very unusual reason.

Since Sam was released, there have been two murders in the city, and he thinks he may be the murderer.  He describes himself as a functioning alcoholic and tells Bill he can’t remember what he was doing on the nights the two young women were killed.  “I came here for help,” he tells Smith.  “Prove it’s me.”

Arrayed against Sam and his desire to return to prison are his brother Peter, Sam’s lawyer Susan Tulis, his artist friend Elissa Cromley, photographer Tony Oakhurst, and Sherron Konecki, the owner of the prestigious art gallery Lemuria.  They all have a vested interest in keeping Sam out of prison–either financial, professional, or personal.

Even Detective Angela Grimaldi of Manhattan’s 19th precinct doesn’t think Sam committed the latest murders.  When Sam went to the precinct to turn himself in, “She told me to get lost,” Sam recounts to Smith.  Grimaldi later tells Bill, “Your guy, Tabor, he doesn’t fit the profile.”  But Sam thinks, or perhaps hopes, that he did commit these two crimes, and it’s up to Bill and his partner Lydia Chin to find the truth.

The Art of Violence is the thirteenth novel in the Lydia Chin/Bill Smith series.  Ms. Rozan’s mode of operation is to alternate the protagonist in her novels.  Bill Smith is the lead in this one, but he cannot do it without the help of his partner Lydia.  And for readers of the previous books in this series, there’s an absolutely wonderful chapter toward the end of the novel in which Sam Tabor meets Mrs. Chin, Lydia’s intimidating mother.

It’s terrific to see Bill and Lydia in action again and at the top of their game.  S. J. Rozan is the recipient of many awards, including the Edgar, Shamus, Anthony, Nero, and Macavity awards for Best Novel and the Edgar for Best Short Story.

You can read more about her at this website.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

For want of sixty-five dollars, Andrew Duran became witness to a murder, a man fleeing for his life.  For sixty-five dollars.

All he wanted was to buy a present for his daughter to make up for the lousy father he’d been.  Then, a few weeks later after he’d given her the gift, a cop pulled him over because he was driving with a broken taillight.   He couldn’t pay the court costs, and the sixty-five dollars spiraled into jail time and a lost job.

Now Duran is working the overnight shift at a car impound lot when a man and a woman enter the lot, telling him they’re U. S. Marshals and need to be informed when a certain car is picked up.  That’s all he has to do, and they’ll give him a thousand dollars.  He’s desperate, so he agrees.

However, Duran senses that something is wrong, so he is not entirely surprised a few weeks later that as the car’s owner enters the lot, he is killed.  Not by a knife or gun, but by something invisible controlled by the man and woman, standing a few feet away from their victim.  And now the killers/fake Marshals are searching for him.

Enter Evan Smoak, a/k/a The Nowhere Man.  An orphan, or so he was led to believe, he was rescued at the age of twelve from the Pride House Group Home and trained by the federal government to be an assassin.  After years of doing exactly that, he left the program and has been using his skills to help those in desperate need who don’t have anywhere else to turn.  He called himself The Nowhere Man, asking those he helped for only one thing–to give his name and phone number to someone else who needs his assistance.

Now even that identity is over as a result of his killing a Very Important Person.  In order to receive a pardon for that act, Evan has promised no less a person than the President of the United States that The Nowhere Man will cease to exist.  But Evan is finding that it’s not that easy to construct a new identity, especially when he receives a phone call from a woman purporting to be his mother.

All the threads come together when Evan flies to Buenos Aires to meet her, a beautiful, enigmatic woman with a mysterious past.  She tells Evan about herself, all of which is new to him, then she reveals the reason she’s contacted him after all these years.  And although he’s promised himself, to say nothing of his promise to the president, that he’s done with being The Nowhere Man, he finds he cannot turn down his mother’s request.

The Prodigal Son shows the reader a different Evan Smoak from the one in previous novels.  He’s more introspective, more thoughtful, more compassionate.  After a lifetime of being Orphan X, these changes don’t come easily.  If he wasn’t happy as Orphan X or The Nowhere Man, at least he knew who he was and what was expected of him.  But now he’s feeling unsure, vulnerable, and he’s not certain how to handle it.

The protagonist in Prodigal Son is a fascinating character with nuances that weren’t apparent in earlier novels.  These make him more relatable, more human, and even more real to us.  Gregg Hurwitz has given his hero new dimensions.

You can read more about Gregg Hurwitz at this website.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.