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Do you hear the school bell ringing?  That’s because it’s almost time for the fall semester at BOLLI–the Brandeis Osher Lifelong Learning Institute–to begin.

This will be my fifth semester teaching a course at BOLLI on the appreciation of the mystery genre.  Each course begins with the word WHODUNIT? and then gives the specific title of that term’s subject.  The previous ones have been MURDER IN NEW ENGLAND, MURDER IN ETHNIC COMMUNITIES, MURDER IN SCANDINAVIA, and MURDER MOST BRITISH.

This semester’s class is WHODUNIT?:  MURDER, SHE WROTE.  It features all women authors and all female protagonists.  We’ll read eight novels during the ten week course, with the first and last weeks an introduction to mysteries and an overall discussion of the books assigned, respectively.

As I’ve noted in previous About Marilyn’s columns, what I find most interesting is what brings people to the classes.  There have been class members who have been reading mystery novels their entire lives and are familiar not only with the most popular authors but also with many little-known writers; there have been others who “confess” that they have never read a mystery or, if they did, it was many years ago.

So those who are devoted fans of mystery novels are presumably eager to explain and share their love of such books, while those who are new to mysteries are eager to learn why others find them so fascinating and perhaps to find an author or two who greatly appeals to them.

After a brief introduction of mystery types, we’ll spend part of the first session talking about Nancy Drew and what explains her popularity ninety years (!) after The Secret of the Old Clock was published.  To date, eighty million books in the series have been sold, a truly astonishing number, especially given the fact that the presumptive author, Carolyn Keene, is as fictitious as Nancy herself.

Carolyn Keene was the brainchild of Edwin Stratemeyer, founder of the syndicate that bore his name, and several authors were used under the Keene name to write the books to the formula Mr. Stratemeyer outlined.

Starting with the second class, we’ll be examining the eight novels I’ve chosen in the order they were published.  Since the first was published in 1930 and the last in 2017, we’ll be discussing not only the books’ heroines, plots, and settings but also the changes that have taken place in the culture and in women’s status in the nearly ninety years from the first novel to the most recent one.

If you’d like to read along with us, here are the books for this semester:  The Murder at the Vicarage  (1930) by Dame Agatha Christie, Edwin of the Iron Shoes (1977) by Marcia Muller, “A” is for Alibi (1982) by Sue Grafton, Indemnity Only (1982) by Sara Paretsky, A Trouble of Fools (1987) by Linda Barnes, China Trade (1994) by S. J. Rozan, Baltimore Blues (2006) by Laura Lippman, and The Last Place You Look (2017) by Kristen Lepionka.

Our first class is on Monday, September 9th.  Happy reading!

Marilyn

P. S.  Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

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